there is a connectivity between the video slipknot called snuff and snuff film, A snuff movie is a motion picture genre that depicts the actual death or murder of a person or people, without the aid of special effects, for the express purpose of distribution and entertainment or financial exploitation. For-profit snuff films are generally regarded as an urban legend, whose persistence demonstrates more about our anxieties than the reality of such films being made. Some filmed records of executions and murders exist but have not been made or released for commercial purposes. he very first recorded use of the term “snuff film” is in a 1971 book by Ed Sanders, The Family: The Story of Charles Manson’s Dune Buggy Attack Battalion. He alleges that The Manson Family was involved in making such a film in California to record their murders.

The metaphorical use of the term “snuff” to denote killing appears to be derived from a verb for the extinguishing of a candle flame. The word has been used as such in English slang for hundreds of years. J.C. Hotten lists the term in the fifth edition of his Slang Dictionary in 1874 as a “term very common among the lower orders of London, meaning to die from disease or accident.” The word is descended (via the Middle English “snuffen” or “snuppen”) from the Old English “snithan”, meaning to slaughter and dismember, from “snide”, meaning to kill by cutting or stabbing, from “snid”, to cut.

The Michael Powell film Peeping Tom (1960) featured a filmmaker who committed murders and used the acts as the content of his documentary films. The concept of “snuff movies” being made for profit became more widely known in 1976 with the commercial filmSnuff  A low budget exploitation horror film entitled Slaughter, the film was directed by Michael and Roberta Findlay. In an interview decades later, Roberta Findlay said that the film’s distributor Allan Shackleton had read about snuff films being imported from South America and retitled the film to Snuff to exploit the idea; he also added a new ending that depicted an actress being murdered on a film set. The promotion of Snuff on its second release suggested it featured the murder of an actress: “The film that could only be made in South America… where life is CHEAP.” but that was false advertising. Shackleton put out false newspaper clippings that reported a citizens group’s crusading against the film  and hired people to act as protesters to picket screenings.

In the wake of Snuff, numerous films explored the idea of snuff films, or used them as a plot device. They include Last House on Dead End Street (1977), the Paul Schrader film Hardcore (1979), Sidney Sheltons’s Bloodline (1979), the Ruggero Deodato film Cannibal Holocaust(1980), David Cronenberg’s Videodrome (1983), the Nine Inch Nails film The Broken Movie (1993), the film Henry: Portrait of a Serial Killer(1986), the Alejandro Amenábar film Tesis (1996), the film Strange Days (1995), the Anthony Waller film Mute Witness (1994), the Johnny Depp film The Brave (1997), the Joel Schumacher film 8mm (1999), the John Ottman film, Urban Legends: Final Cut (2000), and Fred Vogel’s film August Underground (2001) and its sequels.

Internet snuff films are alluded to in the Marc Evans film My Little Eye (2002), and the film Halloween: Resurrection. The Showtime TV seriesDexter features an internet snuff scene. Most recently the subject has been addressed in British film director Bernard Rose’s film Snuff-Movie(2005), the Nimród Antal film Vacancy (2007) and also in the WWE film The Condemned (2007) and the Gregory Hoblit film Untraceable Rockstar Games, the controversial game publisher, released the snuff-themed Manhunt in 2003

Some murderers have recorded their acts on video. Documentary film makers have also captured footage of executions or accidental deaths. The resultant footage is not usually considered to constitute a snuff film because the deaths were not enacted in a for-profit film.

Documentary footage

The sinking of HMS Barham in 1941 and the 1955 Le Mans disaster were both captured on film and have been widely shown since then. The American public was gripped by the Zapruder film of the assassination of John F. Kennedy. Professione: reporter, a film directed by Michelangelo Antonioni, includes film footage of a firing squad execution. The stabbing death of Meredith Hunter by a Hell’s Angel at the Rolling Stones concert at Altamont Speedway was captured and shown in Albert and David Maysles  documentary film Gimme Shelter The 1995 documentary film Executions showed several executions of people condemned to death.

The 2001 Daytona 500 witnessed the death of NASCAR legend Dale Earnhardt on the final lap of the event after Earnhardt was in an accident. The footage of the wreck was shown on live television to viewers at home. Although Earnhardt wasn’t the first NASCAR driver to die in a wreck, due to his high-profile compared to the other drivers that have died, it forced NASCAR to implement new safety regulations, such as the Car of Tomorrow. NASCAR has not replayed Earnhardt’s wreck, however many videos of the wreck exist on the internet. Like professional wrestler Owen Hart’s death, footage of Earnhardt’s death isn’t considered a snuff film due to it being an accident, even though unlike Hart’s death footage of Earnhardt’s death does exist.

On September 11, 2001, millions of people saw television news coverage after the attacks that included footage of people jumping to their deaths from the burning World Trade Center in New York City. News footage or intentional political records that captured murders, executions or suicides, including those of Nick Berg, Saddam Hussein, Paul Johnson, Kim Sun-il, Eugene Armstrong, John F. Kennedy, Daniel Pearl,Inejiro Asanuma and Yitzhak Rabin, and the suicides of Ricardo Cerna, and Budd Dwyer have been posted on the Internet. Such footage was either of a real event and shot for documentary purposes, or the assassins filmed a murder to use the record for political purposes. The resulting footage cannot be called a snuff film according to its definition.

Video recordings of assault

In several cases murderers and serial killers have recorded aspects of their crimes, although they filmed their victims while still alive. These include:

  • Between 1983-85, Charles Ng and Leonard Lake videotaped their torturing some of the women whom they would later kill.
  • In the early 1990s, serial killers Paul Bernardo and Karla Homolka separately videotaped some of their sexual assaults of victims. They did not film their murders.[2]
  • In 1997 the German murderers Ernst Dieter Korzen and Stefan Michael Mahn recorded their torture of two prostitutes whom they had kidnapped. They killed one and the other woman escaped, leading to the men’s arrests. They were convicted and sentenced to life imprisonment. Prosecutors claimed there was an international market for such videos, and that Korzen and Mahn intended to sell their film. Korzen and Mahn were the first persons convicted for making a snuff movie, although their video was never distributed

Snuff lyrics

Bury all your secrets in my skin
Come away with innocence, and leave me with my sins
The air around me still feels like a cage
And love is just a camouflage for what resembles rage again

So if you love me, let me go
And run away before I know
My heart is just too dark to care
I can’t destroy what isn’t there.
Deliver me into my fate
If I’m alone I cannot hate
I don’t deserve to have you
My smile was taken long ago
If I can change I hope I never know

I still press your letters to my lips
And cherish them in parts of me that savor every kiss
I couldn’t face a life without your light
But all of that was ripped apart when you refused to fight

So save your breath, I will not hear
I think I made it very clear
You couldn’t hate enough to love
Is that supposed to be enough?
I only wish you weren’t my friend
Then I could hurt you in the end
I never claimed to be a saint
My own was banished long ago
It took the death of hope to let you go

So break yourself against my stones
And spit your pity in my soul
You never needed any help
You sold me out to save yourself
And I won’t listen to your shame
You ran away, you’re all the same
Angels lie to keep control
My love was punished long ago
If you still care, don’t ever let me know
If you still care, don’t ever let me know

The difference, the shoot and the conclusion

Snuff always talking about the murder but not in this video, the video is very strange the character become the another character but the soot is very unique make us curious about what will happened next see the storyboard.


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